Robert Scott Aktieris
Born on August 8th, 1982. Originally from Panama City, Central America, he began his acting career in Santiago, Chile in 2002, cultivating his craft there before continuing it in Berlin, where he has been based since 2026. His standout project since arriving in Berlin is the film EXPLODING DUCKS by Matthias Glasner.
Pārskats
TautībaAmerikas Savienotās Valstis, Čīle, Panama
ValodasSpāņu (Dzimtā valoda), Angļu (brīvi), Angļu - amerikāņu (brīvi), Angļu - britu (pamatzināšanas), Itāļu (pamatzināšanas), Vācu (pamatzināšanas)
Dzimis1982, Panama, Panama
Spēlēšanas vecums37 - 47
Izmērs185 cm
Etniskie tipiLatīņamerikāņu / Spāņu, Multietnisks
DzīvesvietaBerlin - Berlīne (Vācija), Florida (Amerikas Savienotās Valstis), Berlin - Berlīne (Vācija)
Dzīves vietas iespējasSantiago (Čīle), Panama (Panama), Munich - Bavārija (Vācija), Madrid - Madride (Spānija)
Darba atļaujaEuropean Union, United States
Kontakts
Alternatīva kontaktinformācija:
Prasmes
Valodas Spāņu (Dzimtā valoda), Angļu (brīvi), Angļu - amerikāņu (brīvi), Angļu - britu (pamatzināšanas), Itāļu (pamatzināšanas), Vācu (pamatzināšanas)
Dialekti Southern - American (Dzimtais dialekts), Standard American (brīvi)
Akcenti Dienvidamerikas (Dzimtais akcents), Karību jūras reģiona (Dzimtais akcents), Latīņamerikas (Dzimtais akcents), Spāņu (Dzimtais akcents), Angļu (ļoti labi), Meksikāņu (ļoti labi), Amerikāņu (labi), Argentīniešu (labi)
Dejas Bachata (ļoti labi), Butoh (Japāna) (ļoti labi), Deju improvizācija (ļoti labi), Deju teātris (ļoti labi), Horeogrāfija (ļoti labi), Izglītība dejā (ļoti labi), Latīņamerikas dejas (ļoti labi), Merengue (ļoti labi), Salsa (ļoti labi), Afrikāņu deja - mūsdienu (labi), Afro (labi), Balets (labi), Brīvā deja (labi), Dancehall (labi), Disko (labi), Forró (labi), Rumba (labi), Tradicionālās afrikāņu dejas (labi), Čačača (labi), Ielu dejas (pamatzināšanas), Kapoeira (pamatzināšanas), Pilsētas dejas (pamatzināšanas), Samba (pamatzināšanas), Svings (pamatzināšanas)
Balss augstums / dublēšanas balss Baritons
Mūzikas instrumenti Cajón bungas (ļoti labi), Flauta (labi), Sitamie instrumenti (labi), Āfrikas bungas (labi), Bongo bungas (pamatzināšanas), Bungas (pamatzināšanas), Čarango (pamatzināšanas), Ģitāra (pamatzināšanas)
Sports Aerobika (ļoti labi), Biljards (ļoti labi), Joga (ļoti labi), Karatē (ļoti labi), Peldēšana (ļoti labi), Taiči (ļoti labi), Taiči čuan (ļoti labi), Basketbols (labi), Bokss (labi), Boulings (labi), Cīņas sports (labi), Kalnu velosipēds (labi), Motocikls (labi), Paukošana (labi), Pilates (labi), Raftings (labi), Riteņbraukšana (labi), Skriešana-joggings (labi), Volejbols (labi), Ūdens slēpošana (labi), DL - Defense Lab / DNA Fight Science System (pamatzināšanas), Fitness (pamatzināšanas), Galda teniss (pamatzināšanas), Kajaks (pamatzināšanas), Slidošana (pamatzināšanas), Svarcelšana (pamatzināšanas), Teniss (pamatzināšanas)
Vadītāja apliecības Autovadītāja apliecība
Citas prasmes Deju skolotājs
Izskats
Spēlēšanas vecums 37 - 47
Izmērs 185 cm
Ķermeņa uzbūve Sportisks-atlētisks
Svars 80 kg
Acu krāsa brūnas
Matu krāsa brūni
Frizūra vidēja garuma cirtas
Sejas apmatojums Bārda
Dvīnis Nē
Etniskie tipi Latīņamerikāņu / Spāņu, Multietnisks
Tetovējums Jā, nav redzams
Pīrsings Nav
Brilles Nē
Rētas Nav
Izglītība un tālākizglītība
Universidad Finis Terrae
Professional Title: Actor / Bachelor Degree: Acting
Universidad Finis Terrae
Seminar/Workshop - Acting and Television. Instructor: Ivana Chubbuck. Topic: The Chubbuck Method. Based on the techniques of Uta Hagen and Lee Strasberg.
http://matusactores.com/escuela/
Advanced On- Camera Acting - Instructor level 2: Roberto Mattus. Level 3: Paulina Garcia
Facultad de Teatro Universidad de Chile
Dramatic Mime - Instructor: Ricardo Gaete
Universidad Finis Terrae
Dance Theater - Instructor: Thomas Bentin
Universidad Finis Terrae
Body weather and manipulations - Instructor: Elias Cohen
Universidad Finis Terrae
Seminar/Workshop - Instructor: Jorge Eines. The three binominals. The scene as a situation, the character as behavior
Facultad de Teatro Universidad de Chile
Theatrical Research - Raul Osorio
Universidad Finis Terrae
Devised Theatre - Instructor: Karstein Solli
Universidad Finis Terrae
Actor's Training - Instructor: Souphiene Amiar. From the Workcenter of Jerzy Grotowsky and Thomas Richards.
Universidad Finis Terrae
Butoh Dance - Instructor: Makiko Tominaga
CV Highlights CV - Televīzija un straumēšana CV - Kino CV- Teātris CV - Reklāma CV - Citi
Highlights
2001 - 2004
Andres Garcia
Režija
Ansambļa dalībnieks
The play was created by the El Artificio theater company, directed by Andrés García, with a script by Marcelo Sánchez. Through a staging characterized by powerful physical expression, live music, and an atmosphere rich in symbolism, *Brujos* explores the ongoing conflict between the divine and the pagan, innocence and temptation, drawing on myths and legends that form part of northern Chile’s cultural heritage.
2016 - 2017
Mi Abuelo Horacio
Monologs
Drāma, Monologs
Malucha Pinto
Režija
Galvenā loma
The play “My Grandfather Horacio” is a theatrical production and storytelling performance written and directed by Chilean actress Malucha Pinto. It tells the true story of Horacio Cepeda Marinkovic, a detainee who disappeared during the dictatorship, from the perspective of his granddaughter.
2015
Malucha Pinto
Režija
Blakus loma
A journey through the memories of the neighborhoods, told in the form of a narrative, recounts a passionate love story between two young neighborhood leaders in mid-20th-century Chile: Manuela and Tomás. Throughout the story, the protagonists unravel the origins, contradictions, dreams, convictions, emotions, and family and community ties of a social group driven by the longing to own a home and the joy of living life to the fullest, determined to take control of their destiny no matter the cost
2014
Malucha Pinto
Režija
Blakus loma
The play was conceived as a tribute to the renowned director Andrés Pérez Araya. It explores themes of inclusion, diversity, and disability, telling the story of a young man with a disability who grapples with an existential question about his life and the world around him.
2013 - 2018
Aliocha de la Sotta
Režija
Galvenā loma
It is a journey through Cervantes’s Quixotic universe. It is the story of a failed author, convinced that he was unable to express and convey what he intended in his works, and that his readers therefore received a message different from—and distorted compared to—what he intended. A monologue brimming with frustration, misunderstandings, misinterpretations, and a dialogue of the deaf, delivered by an ironic, sarcastic, and libertarian character teetering on the edge of delirium.
2013
Eduardo Herrera
Režija
Juan José
Galvenā loma
The story takes place almost entirely in the backyard of a house, a space of freedom and confession for the characters. There, the three siblings (Juan José, José Luis, and María José) reminisce about the past, question their present, and look toward the future, grappling along the way with issues such as dementia, family roles, and personal crises.
2011 - 2012
Paulina García
Režija
Lina
Pastāvīga galvenā loma
Four spinster sisters and a sick father. The two eldest, who design wedding dresses, have had to kill their fiancés for mysterious reasons. The youngest—who, they say, is a monster—howls and scratches at a door. It all begins when the third sister brings home her boyfriend, who, drawn by the stories he has heard, cannot resist the curiosity to see the monster. Like all the men who see the mantis, he is led astray into a mystical ecstasy; for this reason, his girlfriend must kill him as well.
2011 - 2013
Cristina Alcaide
Režija
Galvenā loma
La Rebelión de Nadie tells the story of a chinchinero who, caught up in a society in crisis, decides to make a radical change in his life that leads him to reflect on his own history and that of his country. Taking refuge in an abandoned trolley, he secretly rebels against a world that, like him, is destined to disappear.
2011 - 2012
Paulina García
Režija
Ivanov
Galvenā loma
“Near Moscow” is a notable Chilean play directed by actress Paulina García and written by playwright Pablo Paredes. The production blends and reinterprets the famous plays *Ivanov* and *Platonov* by Russian playwright Anton Chekhov, adapting them to contemporary social realities.
2010
Raul Osorio
Režija
Pastāvīga loma
This story by Nikolai Gogol tells the tale of the inhabitants of a Russian village, far from the big cities, who receive a telegram announcing the arrival of a central government official to conduct a thorough review of the village’s public affairs.
The inevitable arrival of the visitor immediately causes great unease among the local authorities, who fear that the fraud and corruption that are part of daily life there will be exposed.
2019
Gonzalo Diaz
Režija
Armando
Blakus loma
Salvador is a young Chilean who moves to London to study English and travel around Europe. While in London, he stays with his aunt Maria, an immature and alcoholic 55 year old woman. When Salvador's parents face unexpected economic hardship, it threatens to cut short their son's London experience. Seduced by what the city has to offer, Salvador refuses to return to Chile. With the help of Maria and his other flatmates (Ivan, a Russian drug dealer and Yoshiko, his Japanese girlfriend), he manages
2025
Performan
Īsfilma
Antonia Renard
Režija
Josué
Galvenā loma
CV - Kino
2026
Matthias Glasner
Režija
Aguti
Blakus loma
Just released from prison, a former CIA Agent tries to find her daughter and lover and has to fight drug bosses, manipulative spies and inner demons.
2025
Performan
Īsfilma
Antonia Renard
Režija
Josué
Galvenā loma
2019
Gonzalo Diaz
Režija
Armando
Blakus loma
Salvador is a young Chilean who moves to London to study English and travel around Europe. While in London, he stays with his aunt Maria, an immature and alcoholic 55 year old woman. When Salvador's parents face unexpected economic hardship, it threatens to cut short their son's London experience. Seduced by what the city has to offer, Salvador refuses to return to Chile. With the help of Maria and his other flatmates (Ivan, a Russian drug dealer and Yoshiko, his Japanese girlfriend), he manages
CV- Teātris
2016 - 2017
Mi Abuelo Horacio
Monologs
Drāma, Monologs
Malucha Pinto
Režija
Galvenā loma
The play “My Grandfather Horacio” is a theatrical production and storytelling performance written and directed by Chilean actress Malucha Pinto. It tells the true story of Horacio Cepeda Marinkovic, a detainee who disappeared during the dictatorship, from the perspective of his granddaughter.
2015
Malucha Pinto
Režija
Blakus loma
A journey through the memories of the neighborhoods, told in the form of a narrative, recounts a passionate love story between two young neighborhood leaders in mid-20th-century Chile: Manuela and Tomás. Throughout the story, the protagonists unravel the origins, contradictions, dreams, convictions, emotions, and family and community ties of a social group driven by the longing to own a home and the joy of living life to the fullest, determined to take control of their destiny no matter the cost
2014
Malucha Pinto
Režija
Blakus loma
The play was conceived as a tribute to the renowned director Andrés Pérez Araya. It explores themes of inclusion, diversity, and disability, telling the story of a young man with a disability who grapples with an existential question about his life and the world around him.
2013 - 2018
Aliocha de la Sotta
Režija
Galvenā loma
It is a journey through Cervantes’s Quixotic universe. It is the story of a failed author, convinced that he was unable to express and convey what he intended in his works, and that his readers therefore received a message different from—and distorted compared to—what he intended. A monologue brimming with frustration, misunderstandings, misinterpretations, and a dialogue of the deaf, delivered by an ironic, sarcastic, and libertarian character teetering on the edge of delirium.
2013
Eduardo Herrera
Režija
Juan José
Galvenā loma
The story takes place almost entirely in the backyard of a house, a space of freedom and confession for the characters. There, the three siblings (Juan José, José Luis, and María José) reminisce about the past, question their present, and look toward the future, grappling along the way with issues such as dementia, family roles, and personal crises.
2011 - 2012
Paulina García
Režija
Lina
Pastāvīga galvenā loma
Four spinster sisters and a sick father. The two eldest, who design wedding dresses, have had to kill their fiancés for mysterious reasons. The youngest—who, they say, is a monster—howls and scratches at a door. It all begins when the third sister brings home her boyfriend, who, drawn by the stories he has heard, cannot resist the curiosity to see the monster. Like all the men who see the mantis, he is led astray into a mystical ecstasy; for this reason, his girlfriend must kill him as well.
2011 - 2013
Cristina Alcaide
Režija
Galvenā loma
La Rebelión de Nadie tells the story of a chinchinero who, caught up in a society in crisis, decides to make a radical change in his life that leads him to reflect on his own history and that of his country. Taking refuge in an abandoned trolley, he secretly rebels against a world that, like him, is destined to disappear.
2011 - 2012
Paulina García
Režija
Ivanov
Galvenā loma
“Near Moscow” is a notable Chilean play directed by actress Paulina García and written by playwright Pablo Paredes. The production blends and reinterprets the famous plays *Ivanov* and *Platonov* by Russian playwright Anton Chekhov, adapting them to contemporary social realities.
2010
Raul Osorio
Režija
Pastāvīga loma
This story by Nikolai Gogol tells the tale of the inhabitants of a Russian village, far from the big cities, who receive a telegram announcing the arrival of a central government official to conduct a thorough review of the village’s public affairs.
The inevitable arrival of the visitor immediately causes great unease among the local authorities, who fear that the fraud and corruption that are part of daily life there will be exposed.
2001 - 2004
Andres Garcia
Režija
Ansambļa dalībnieks
The play was created by the El Artificio theater company, directed by Andrés García, with a script by Marcelo Sánchez. Through a staging characterized by powerful physical expression, live music, and an atmosphere rich in symbolism, *Brujos* explores the ongoing conflict between the divine and the pagan, innocence and temptation, drawing on myths and legends that form part of northern Chile’s cultural heritage.
